Just a simple tonal slowtake today. Very clear idea to start off with
though: Downward sequense I-IV-II-V-III-VI etc. etc. Confusing the subdominant to tonic to switch into tonic=dominant to erm, well, it tends to confuse the brain into making the real center a pointer towards the not-center, or something like that. In other
words, a bit the other way around -so to say- from usual harmonic
structure, though still very conventional. Got the outline riding my bike the day before, as an
interesting entrance to fields un-explored.
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| Picture by Yours Truly. |
I had some idea about how to fulfill that astranging effect into an interesting conclusion, but it didn't take too long before I lost the outline and let the music take its own direction. Every once a while the outline got me back in gear when it was about to drift into nonsens. Eventually I got into the field I was looking for and could not have imagined without the realisation of those imagined soundscapes, evoking a bit of vocalisation as well. So, nuff said, enjoy.
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